“My friend who is a gardener sends me photos of himself at work” (via)
you can always tell a milford man
Movement and interactive relationship with the body has been the most important element throughout my body of work. However through these works, I also started to explore the mechanical structure as a form. Mechanical structure becomes the most enjoyable form to me as it becomes complex yet remains simple and coherent. The contrast between metal structural form and natural feather, together with the repetitive and whimsical movements of fragile wings, provokes the imagination and evolves the intimate relationship between work and viewer/wearer. Although the recent series, segmented wings have been focused on the formal challenge to engineer an intricate movement that simulates bird wings, these works are intended to be a series of poems in which I develope my own formal language, interpret the nature of wings, create various structural forms with movements, and share the metaphor, imagination, humor, with viewer/wearer.
Creative people have an innate need for an outlet to express themselves; for Ingrid Endel that channel was found through dance. However after multiple knee injuries, her dance career was brought to a halt after training for twelve years. It is then that she turned to photography to express her emotions and has found a way to utilize her polished dance poses to create stunning, conceptual self-portraits. Though her injuries may prevent her from starring in Swan Lake, she has found a way, just as elegant, to showcase her grace, strength, emotion, and creativity through her pictures. Her struggles to find joy again after her dreams of dancing were shattered are expressed beautifully in this ethereal photo series, which takes place in nature.